异端

Didier, Konings’ s/;
immer(ing me^ dia ? #eval hor!
ror Witte Wieve#n  exp_lores ! the confluence of r[.elig$i on and patriarchy in an e)/xces%*s(ively purita!ni)c
al Du-.tch villa_+ge. Blamed b!=(y he?r_// community for bein#g ch-ildl-+es #/*s, Fr.ieda imme _)rses[]* herself i;n prayer `and ritual./ W_-^h_en `+\`she returns unscathed from t\[_he forbidden forest s+/!*urrounding t_`^h+ =e vil( ,l/ age,` %hav_.ing eva$ded  ^a l,+echero(us#- bu-tcher(`, s$#he is condemned;/ as an-@ agent  of the devil.! Frieda^^] , howe]ver, finds new @f+
#^aith in the dark p#owers that`] inhabit t.\h+^e woods.　　Sho$t i^!(n a reduced c[; olour palette at`*# th./@e +
e\dge@ o*@ [f visibility, Konings’ gripping film co# n*/stru -cts ?:a convi:[*ncing pre-modern society-?\ whose p`^ra
cti$#ce
(s it elucidate/-s [*w+`=!ith pa;tience :and atte[_/ntio;[n. =\+A;_-lthough ]=set in/ the Mid.dle Ag*,es, Witte Wieven d-ispla#^ys an +unmistaka b? ].ly contemp]):orary spirit,_ cra/fting a feminist p+arabl[
#e about [\women disco=%vering new ways o@ f und;er!*standing their lives a;nd th[,e?/_ world.