上帝 之怒

When, at the beg:!inning of-` Deus I_ =?r[ae\,  Father Javier sta\res at a crucifix, hi.];s e  xpressi:ons\#
 a\=nd h,)is hands su%=g.,ge-_st t^_ hat the ?[n$\,erve=`s are con:_suming hi m$. A  .f;%lashback reveals th,$/^at thi:@:s ,priest devotes his lif* \e to visitin_g famil i$ \(es that ]
c,
_;laim t(o hav *e seen t* hings t\/hat do \-not ,belong +(@to $;t/+his /worl]d and cle`.=ansing their \ho%$:mes from-] the demons t @\hat ] try to _possess:^ them. But, up*on re*turning to thos#+(e hous:%es, he  notices ;)*tha[ t  =)the .=ev idence is `always [de
=?s,tro y+^ed. `This way, he disc]over#,s that a clan i#__s aft er him, an[d $must )* decide wheth[_er ?to hi=de fro;
m them\+ or join them. In ):times when horror cinema tends to fall into the ha[nds(@ of* -(d^\*irecto,rs that se--ek
t)]o build narr
*a;tive s that are introspective @and close *to rea;=lity, Ped-ro Cristiani goes (#back,; to old?[-sc\\hool horror, w/( \here +gor.! ]e and the physi;!;^,cal expe
r+\ience are above any ]].;oth[er kind _+of feeling. A cinema  t[hat pl[ace)_ !s the$ c *amera in fr_/ont ^of *th*`e faces o\f the bloodiest demons and, instea-d of`= givi`ng lo%,gic $to@` them, choo@$ses .)to face! them whatever the cost.